26 December 2011

2011 Top 8 Hits

It's that time of the year again - my top 5... erm... 8 of the year. I'm still have an 8 month stockpile of music to get through. I was hoping that in 2011 I would have cut that down, but like the blog, it has been less of a priority while bigger life-shaping events such as property and career have taken the wheel. Anyway, let's start.

At number 8, Serbian starlet Mia Borisavljević's saucy hit 'Ja bih se s tobom topila' (I Would Warm Myself Up With You).


Coming at 7th place, my favourite Israeli singer, Sarit Hadad, surprised everyone (well, me) with her perfect Bulgarian pronunciation in this amazing song produced by genius Israeli pop composer Henree with Bulgarian pop-folk star (Bulgaria's Victoria Beckham) Alisia - Shtom me zabelejish (Since You Notice Me)


Number 6 - Israel's controversial new star (controversial in that his break into the Israeli pop scene came thanks to some Israeli mafia connections) Omer Adam with his hit Baniti Alayich (I Was Made for You). It's songs like this that highlight that Israel is a Middle Eastern country and that the cliche of music bringing peace rings true.


Continuing with the theme of Israeli music reflecting its geographic and cultural location, my number 5 for this year is this amazing number by Ami Or - Buba Al Chotim (String Puppet).


Number 4 this year is from Turkey - Babutsa's megahit, Yanayım Yanayım (I'm For It). I was not alone in loving this song - it was covered this year by numerous singers throughout the Balkans!


At number 3, this cool pop song from Kosovo - Nexhat Osmani with Fjala e urte popullore (Popular Saying)


The runner up - this hauntingly beautiful but unmistakeably Italian rock ballad by the legend herself - Patty Pravo and 'La vita è qui' (Life Is Here)


And my top song - well, when I first saw this song, I didn't know what to make of it. However, after the second hearing, I couldn't stop doing what it said - Ukraine's extraordinary and totally bonkers Jamala with 'Smile'


Thank you for your support this year and I'll see you next year. Wishing you a very prosperous, just and healthy 2012!

I'm still here - Hit parade for second half of 2011

Hi there! I can't believe 6 tumultuous months have past and I haven't posted a single blog entry in that time. I apologise, but yet again, life takes the better of me. My new year's resolution - to concentrate more on the blog! So much has happened - Libya, Kim Jong-il's death - these past six months and I wished I had the time to make a comment here rather than ranting to my long-suffering partner and family. Hehe. Anyway, as is customary, here are some songs from around the world that have pleased my ears these past six months. I'll be back with my top 8 (I couldn't narrow it down to 5 this time) for 2011 later.

Uzbekistan - Rayhon & Sogdiana - Bez nego (Without Him - in Russian)


Uyguristan - Shukhrat Yakubov - Izikara (Actually, it's a cover of a Romanian Manele song)


Turkey - Hüner Coşkuner - İmdat (Help)


Macedonia - Suzana Spasovska - Makedonsko devojče (Macedonian Girl)


Macedonia - Zdravka Mirčevska - Ludost (Madness)


Macedonia - Karolina Gočeva - Kapka pod neboto (A Drop in the Ocean)


Israel - Idan Yaniv - Rakevet Halayla Lekahir (Night Train to Cairo)


Dagestan (Russia) - Elchin Davudov - Vatan (Homeland - in Tsakhur)


Kyrgyzstan - A. Totaev - Ant


Greece - Efi Thodi - Ellines (Greeks)


Macedonia - Aneta, Goce Molika - Ah, ljubov verna (Oh, Faithful Love)


Romania - Alex Ban & Florin Salam - Flori de mai (Flowers of May)


Azerbaijan - Next qrupu - Okean (Ocean)


Israel - Ron Izraeli & Ronen Abitbul feat. Itzik Kala - Buki Dalale


Armenia - Raffi - Naz mi amir


Israel - Ma'or Dani'el - Lechi Tisfari Lekulam (Go Tell Everyone)


Israel - Avihu Shabat - Tishari remix (Stay)


Bulgaria/Greece - Teodora & Giorgos Giannias - Za teb jiveia/Aftos einai erotas (I Live For You/That's Love)


Romania - Denisa Sârboaica - Dragoşte de şapte stele (Seven Star Love - cover of a 1980s Serbian song)


Macedonia - Kismi - Milionerce (Little Millionaire) - This song has been the Balkan Roma hit of the year

30 June 2011

My favourite songs of 2011... so far

We're approaching the halfway mark for 2011 (already!). As is now customary, here is a mosaic of the songs that have been top of my hit parade so far this year.

This song is my number one -
Kosovo: Negjat Osmani - Fjala e urte popullore


And this comes a close second -
Turkey: Babutsa - Yanayım Yanayım


Macedonia: Aneta & Molika - Posledna


Montenegro: ansambl Prijatelji - Vratite je meni


Uzbekistan: Avaz Olimov - Aldading


Macedonia (Albanian): Adrian Gaxha - Fundin tek unë e ke


Serbia/Macedonia: Boki 13 feat. Lepa Lukic and Divna Karleusa - Deca noci


Romania: Cristi Nuca - Joaca regina mea


USA/France: Kelly Rowland feat. David Guetta - Commander


Kosovo: Shota Baraliu - Pinky Man


Russia: Elena Vaenga - Zhelayu


Macedonia: Jordan Mitev - Makedonija


Bulgaria: Konstantin - Liubovni abonati


Azerbaijan: Milan - Unutma


Kosovo: Muharrem Ahmeti - Te dua te dashuroj


Egypt: Soma - Allah Ya Sidi


Bosnia-Herzegovina: Stipe Bozic - Oj djevojko Posavko


Turkey: Tarkan - Öp


Uzbekistan: Tohir Sodiqov - Sevaman


Tatarstan: Ahmatjan Torsyntay - Golmaryam


Bulgaria: Mira - Pak taka


Russia: Evgeniya Otradnaya - Tipa lyubov


Kosovo: Smajl Puraj - Ti beqare


Dagestan: Laura Alieva & Akhmed Zakariev - Dve zvezdy

25 June 2011

Syria, Libya, Bahrain... and Elena Bonner. A connection?

Soviet dissident, Yelena Bonner

I haven't been writing that much lately, as life does get in the way, but I still follow to a degree with what is happening around the world and, most significantly, how it is being packaged. What recently grabbed my attention was the recent death of prominent Soviet dissident Elena Bonner, wife of Andrei Sakharov. What amazed me was that she was still around! Ever since the fall of the USSR, in my mind she had totally disappeared from the radar, if you were to go by the amount of coverage she had been receiving (i.e. next to nothing). I wouldn't be surprised if many of the younger journalists out there would have had no idea who she was. Her comparatively low profile of late in the Western media would lead to believe that Bonner was quite pleased with the way Russia and the successor republics have turned out and her job in Soviet times had been completed by 1992. However, what surprised me about this report of Bonner's death is that she had continued her struggle for human rights. Initially under Yeltsin's rule in the 1990s (which according to accepted, but essentially flawed, Western lore was a time of 'true freedom'), Bonner was supportive of and played an active role in the new 'democratic' clique; however that changed when Bonner split with Yeltsin over the launch of the military campaign in Chechnya in December 1994. From then on, and more so after Putin's ascendancy to power in 2000, Bonner yet again became an opponent of the new, authoritarian Russian government. She also was quite vocal in her opposition to elements of various proposed Israel-Palestine peace accords, siding her very much on the Israeli hawkish right-wing - something of an inconsistency in principles when human rights for all is concerned. Bonner's continued dissidence is surprising in that prior to 1992, under Soviet times, Bonner had very high Western media exposure, to an extent that went far beyond her the level of her influence or profile in the USSR (many ordinary Russians still have no idea who she is!). Given that Bonner continued with her struggle in much the same intensity over the past two decades, despite the fall of the Communist Party, why did the Western media turn her back on her?

OK, I can answer that on - Bonner was no longer useful for Western interests. As I have previously commented about how different emphasis is placed by the media around the world in highlighting a cause or 'dissidents' out of self-interest above principle, Bonner and her fellow Soviet dissidents helped in achieving what the West wanted - to provide a 'moral' basis for the overthrow of Communist Party rule and to pave the way for the installation of a new capitalist system in Russia (note, not necessarily a 'democratic' system). By doing so, big business in the West stood to make loads of money from Russia. Bonner post-1992 had turned from someone who could help to make this change happen to someone who just made a lot of hot air. So not only was Bonner no longer needed by the West, she was an anachronism, hence the lack of Western exposure about her continued work.

Margaret Thatcher, Andrei Sakharov and Yelena Bonner. Who's serving who?

So how does Elena Bonner connect with Libya, Syria and Bahrain? Well, again, it involves coverage priority and an agenda grounded by Western big business interests with right-wing ideology. All three countries have experienced uprisings of various degrees, and all three have responded violently to them. However, the Western response to these 'revolutions' have not been consistent with principle. Libya is experiencing a Western intervention on the side of a murky group of rebels in what has now become a civil war. Syria faces constant demonstrations by the majority Sunni Muslims in regional centres, with constant reports of violent crackdowns. Bahrain, after mass protests in its capital, called Saudi Arabia in to quash the 'Shia' uprising and its authorities, through police intimidation and show trials, ever since have created an atmosphere of terror and fear so as to maintain the political status quo. However, what differentiates these crises is how the Western media is reporting about them.

When Nato decided to lob missiles into Libya, the first casualty was the truth. Since then, we in the West have been forced fed a steady stream of Nato propaganda. Having learnt from extensive experience in military campaigns in Yugoslavia in 1999 and Afghanistan since 2001, Nato has successfully convinced the West's media to toe the line that the mission there is 'humanitarian' and 'moral'; Nato is killing the 'killer' before it kills, so to speak. News about the Nato bombing of Libya comes solely from Nato sources i.e. Western governments. There is never any news of civilian casualties, let alone images - out of mind, out of sight, so to speak. Any Libyan news of the civilian deaths is quickly made out to be crude propaganda - well, takes one to know one. And the 'rebels'? A certain ambiguity is maintained as to their agenda, plans, structure and composure. This helps in keeping a fragile hope that they may conform to the self-formed, idealised and romantic image Western media consumers would like to have for them. What really seems to be the case with Western policy in Libya, is that Western big business can see huge amounts of money to made. Coverage of this bombing only serves to provide popular consent and a moral high horse for the Western public. The money in Libya comes not just from large oil reserves, but also because of Libya's centralised and socialised economy. Libyan public services and utilities are still largely in government hands, so a new Western-client state in Libya would then be forced to sell off its rather valuable assets such as telecommunications, water supplies and transport. This sell-off would mean bargain investments and, considering how cashed up Libya has appeared to be, potential huge profits for big business. The connection with Bonner here is that the 'rebels', who may be quite sincere with their aims for a fairer Libya, are just being used by the West now as they are useful in creating change to a capitalist system and, subsequently, massive profits for Western big business. Plus, to some on the extremes of ideology, Libya's war can be seen as a crude but visual battle of the Right triumphing over the Left.

Nato being 'humanitarian' by destroying Libya to save it

Extensive and prominent media coverage is given to Syria's opposition protests. Images are shown of civilian casualties, numbers of deaths heavily emphasised and a simplistic, good vs evil scenario is being painted with the majority Sunni Muslims portrayed as pro-West, pro-democracy and 'good', while Bashar Assad and the 'ruling elite' from the 'Alawite sect' ('sect' has negative connotations - it is deliberate that this is how the West describes the Alewis) are evil. There have been no calls (as yet) for foreign intervention in Syria on humanitarian grounds like Libya, but Western media coverage too has sacrificed principle for interests. The West too would like to see Syria's left-wing government fall for much the same reasons as with Libya. Syria's economy is still very much in publicly-owned, much to the chagrin of the West's ideology of privatisation at any cost. A new, pro-West government in Damascus, like the West's plans for Libya, will be forced to privatise its assets, only to be purchased at bargain prices by the rich. The only difference with Libya though is that Syria does not have as much oil, so that would explain why there has been no pressing need by the West to engage in a military campaign to 'avert a humanitarian crisis'. As to what exactly this 'humanitarian crisis' is, well, details have never been fully given, nor is it that certain that this hypothetical 'crisis' would have actually happened otherwise.

Anti-Assad protest in Syria

Why get bothered with technicalities?! OK, maybe we should with Syria. The country is much like Iraq - a sectarian mosaic. The majority Sunni Muslims, many of whom are rather pious and see the ruling Alewis, as well as all other religions and other Islamic denominations, as heretics, have in the past displayed solid support for fundamentalist-based movements such as the Muslim Brotherhood. The more religious parts of Syria have mainly been the scene of demonstrations while the largest, and more cosmopolitan, cities such as Aleppo and the capital Damascus has displayed very little support for the opposition. Even though it has been mentioned (although downplayed by the Western media), many Syrians still support Assad as they see secularist Baath rule is the only way of guaranteeing avoiding the sectarian violence that has plagued Iraq since its 'liberation' in 2003. Christians and Shias are particularly worried as they know very well that a Sunni-majority rule, by virtue of imposing its majority in all aspects, will spell the end Syria's harmonious coexistence among the faiths. As mentioned previously, the West has adopted Sunni fundamentalist terminology in describing the ruling Shia Alewi minority as a 'sect'. Based on Western (misguided) perceptions of what constitutes Shias (i.e. like the stereotype of Iranians of today), and as a 'sect' (like doomsday sects), they would appear to be sinister and evil. However, if you were to actually delve into the practices and history of the Alewis (and the related Alevis in Turkey), it would make more sense that based on Western principles of democracy and humanism, the West would support them. The Alewis strongly believe in equality of the sexes (men and women pray side-by-side, Alewi women are not required to wear hijab, and monogamy is strictly enforced), humanism and espouse respect for other denominations and religions - aspects many Sunni clerics believe to be heretic. However, the West supports the Sunnis who, if successful in toppling the secular system under Assad, would most likely impose an austere and considerably intolerant environment in place - a new Iraq. And just like Iraq, Syria would witness a mass exodus of all of its religious minorities (particularly Christians and the last remaining Jews), while the increased Sunni Muslim religious atmosphere would also make the situation for gay Syrians even worse than they are now. Again, like Bonner, the Sunnis are being used (for now) so that the ultimate aim of fulfilling Western interests are served. And then, we are fed with the rather simplistic but inherently false paradigm that Shias are supposedly all anti-West while the Sunnis are all pro-West...

Pro-Assad demonstration in Syria

Then we come to Bahrain. The island state is ruled by the Sunni Al-Khalifa family while the population has a downtrodden Shia majority. Bahrain has an oil-based economy which was one of the first in the Gulf to diversify and become an important banking centre. When the Arab Spring revolution spread to Bahrain, with giant protests in the capital Manama's Pearl Square, the Gulf (especially Saudi Arabia) and the West became tense. Reason being is that if Bahrain's revolution succeeded, then this could precipitate a domino-effect in which the other undemocratic emirates of the region could fall. On a principled basis, this should be what the West wants - human rights and democracy for all. However, in this case this is not in the West's interests. These absolute monarchies, of which Saudi Arabia is the largest, provide the world with much oil and are engaged, and engage in, considerable business worldwide. On an ideological basis, these emirates are extremely right-wing and capitalist. In a move, and for much same rationale that the Soviet Union intervened into Afghanistan in 1979, Saudi Arabia even staged a Western-sanctioned invasion of Bahrain to restore 'order'. According to Gulf propaganda and carried by the Western media, Bahrain had apparently 'invited' Saudi forces in; again, this is what the Soviets claimed Afghanistan did in 1979. Going by Western 'logic', it was wrong for the Soviet Union to go into Afghanistan to contain the spread of Islamic Fundamentalism reaching the bordering, poor, Muslim republics of Soviet Central Asia, but it is fine for Saudi Arabia to enter into Bahrain to stop the spread of democracy and people power. Since the Saudi invasion, many have been arrested, there has been a climate of fear and terror, and even a group of doctors and nurses, serving their Hippocratic oath of treating people regardless, have been handed life sentences for treating protesters shot by Bahraini and invading Saudi forces.

When Saudi forces are 'invited' into Bahrain, it's no party.

So what has the Western media done? While there are occasional reports about the repression occurring in Bahrain, such as the sentencing of the doctors and nurses (this one by the BBC is particularly good), overall coverage has been comparatively light and low profile. This clearly shows that the West sees no use or financial benefit out of democracy in Bahrain, despite maintaining supposed principled and 'humanitarian' stances on Libya and Syria. The fact that the West has given its blessing to Bahrain's repression of democracy-supporters came when a Bahraini prince, who is connected to Bahraini security structures responsible for conducting arrests and torture of democracy activists, and the Bahraini ambassador to the UK were invited to the recent royal wedding of the Duke and Duchess of Cambridge. The prince clumsily declined the invite, though the ambassador was there. This came despite much fanfare made by David Cameron's government through the media how the Syrian ambassador was taken off the invite list due to his country's 'repression of democracy activists'.

Naturally, the West, and especially the US with its navy's 5th Fleet based in Bahrain, have no desire for the Gulf state to fall into the hands of the Shia majority. This is not so much the case, as claimed by the corrupt Gulf emirs and their Western benefactors, that this would open the door for Iran to spread its influence, but because after almost 40 years of unbridled capitalism which has seen little of that wealth trickle down to the majority, a new government in Bahrain would move towards a more socialised economy and environment - not what Western big business wants. Plus, the comparative and perceived instability of having democracy in these countries would play havoc on oil prices, driving Western economies into greater economic turmoil. It's always easier to deal with unaccountable dictatorships in these cases, rather than face negotiating with popularly-elected parliaments.

Where are Western principles? These doctors are now facing life imprisonment for doing this.

The opposition in left-wing Libya and Syria are like Elena Bonner pre-1992 - a useful tool for Western big business and government in spreading free-for-all capitalism, while right-wing Bahrain's repressed activists are post-1992 Bonner - a threat. But like Bonner post 1992, the terrible situation in Bahrain threatens to wither away into aberration and out of Western focus. This would allow the Bahraini authorities to get away with the atrocities and injustice the Libyan and Syrian governments are also accused of perpetrating.

I have intended to point out here how self-interest and ideology plays a bigger role than principle in determining Western policy and manufacturing public consent, rather than give my standpoint on the actual situations in Libya, Syria and Bahrain (let the people in those countries decide how they want to be run). The fact that the West would claim that principles play the main role is hypocrisy to the extreme and acts just as a ploy to hide its true agenda. Mind you, the West is not alone in doing this. In the end, those who genuinely hold principles, even if they are like Bonner and apply them unevenly, will lose out to those who stand to profit in our disposable society.

24 June 2011

Greek government approves €96 million new Formula 1 track. Austerity?


Germany, expect the invoice in the mail soon. Greece has yet again been rescued with a huge aid package thanks to EU largess. This money should help the authorities in Athens deal with its huge debt rung up due to excess practices such as overblown investments, massive tax avoidance, government waste and a willing Germany overlooking crooked accounting practices and picking up the bill. Isn't it nice to know, and very reassuring to the diligent taxpayers of northern Europe, that the money won't be wasted this time as Greece has certainly learnt its lesson. It's now time for austerity measures in the G of the PIGS.... OK, perhaps not.

Athens daily Kathimerini reports that the Greek 'Regional,Development and Competitiveness Ministry' (hmmm... I'm sure this is just a Potemkin Village department, set up to provide the party faithful of whoever is in power with comfy, stress-free jobs) has approved plans to build a Formula 1 racing track, south of Patras in the Peloponnese. The bill.... a bargain at €94.6 million! Rest assured, the project will include buildings and facilities to support the racing track that, the ministry claims, will be 'of an international standard’. Phew, what a relief! Oh, and the tourists apparently will be flocking in droves, that is, if no general strike is on... again.

According a the study commissioned by the government department (no doubt, an expensive and prolonged one), the track 'will be able to host Formula One cars, Super bike and Go-Kart racing'. Fun!

The project is expected to be completed in 36 months (good luck!) and needs to be approved by Parliament, which is no problem because those politicians in Athens don't have more pressing issues to deal with at the moment, oh, except for that statue of Alexander the Great in Skopje, Macedonia. I mean, the nerve that a statue of an ancient Macedonian figure going up in Macedonia! This is obviously a huge issue.

"497 new job positions are expected to be created (I'd be interested in finding out how they came to such a precise figure) and [would provide a] significant boost to tourism the in the region," the statement said.

I'm sure that the protesters in Syntagma Square are thrilled to the back teeth about this latest, wise decision by a government ministry in Athens. As for names for this Formula 1 track, how about 'White Elephant'?

22 May 2011

Eurovision 2012 in Baku... Is Gay Azerbaijan finally coming out?

Isn't Cher Armenian? What's she doing in Baku?
It has just been over a week now since Azerbaijan won at this year's Eurovision Song Contest in Düsseldorf, however so much has happened in that time in all aspects and ramifications of hosting next year's event in Baku. As I have explained previously, there are many questions to be answered regarding Azerbaijan hosting the event, ranging from timing logistics, Internet freedom and human rights to a possible politicisation of the event. Also, there are worrying trends that with Azerbaijan's first lady heading the Eurovision 2012 organising committee, despite having a very busy schedule, that the old hand of corruption could be played, especially as there have been calls for a new concert venue to be built.

What has been of greatest concern is the lack of rights, or of any visibility, of the LGBT community in Azerbaijan. Some Western media, as reported in the Guardian have even called for a boycott of next year's Eurovision in Baku in protest. This would be a serious blow to the contest (due to its huge gay fanbase) and would portray Azerbaijan in a very negative light. However, in the past week, two news items have had much coverage in Azeri media outlets that may go to change this image.
First of all, the official www.news.az website released pictures of a 'travesty show' staged in Baku by Russia's answer to Danny La Rue - Aladora Beranzhe. You can check them out here, with Miss Beranzhe performing imitations of gay icons such as Cher and Russia's larger-than-life megastar, Alla Pugachova. The Azeri crowd, though, in the pictures appear to be very respectable, educated, Russian-speaking and straight.

The respectable Baku crowd applaud La Pugachova, oops La Beranzhe.

The second breakthrough came yesterday when Azeri news sources boldly announced that Azerbaijan's first gay website has been launched www.gay.az. As the news.az website reports, this is the first domain of its kind in the Caucasus. Interestingly, the site is in Russian, not in Azeri (a bit about that later) and has been set up by Ruslan Balukhin. Well done!

These developments are quite amazing and fast, considering that it was only less than a week ago that there were public calls for a gay boycott. Could it be that this has emboldened Azerbaijan's LGBT community into assertive action? If so, the Eurovision Song Contest may have a very positive effect on the visibility and acceptance of the LGBT community in Azerbaijan.

However, I still think we should be cautious here. Some might find the timing of this new gay website a little suspicious. More surprising is that Azeri government media outlets have rather publicly announced this - something unlikely to have happened had there been no focus on Azerbaijan's LGBT rights situation, as is the case now. Seen in a cynical way, news of this site and of the pictures of Aladora's show in Baku could be the Azeri government's way of trying to build a picture that Azerbaijan is accommodating of LGBT people and that calls for a gay boycott of Eurovision are groundless. If this is not the case, then Azerbaijan has at least made a bold start, but it has a very, very long way to go before it is seen in a fraction of the same light as gay-friendly countries. We must remember that like many other countries, Azerbaijan has a traditional and socially conservative side, so we shouldn't expect that LGBT rights will advance so fast that come May 2012 there will have been a complete change in Azerbaijani attitudes. It took decades before that happened in many Western European countries, and even in these countries homophobia still exists.

Istanbul Pride - Turkey can do it, so can Azerbaijan

Problems lie in the nature of these two news articles. The language used in both articles show that Azerbaijan is not at the same level on LGBT awareness as cultural brothers Turkey. I mean, who uses the antiquated term 'travesty show' these days? That's a term that fell out of common use in English-speaking countries in the 1950s. And much can be interpreted about local attitudes to homosexuality when the article described the gay.az website as a project set up by 'people of non-traditional sexual orientation'. I suspect this is more to do with an unwise vocabulary choice in translation, however as it stands, by labeling homosexuality as 'non-traditional' implies that it is new, introduced from outside and not something natural. Not good!

As I already mentioned, what is also interesting about the gay.az website is that it is in Russian and not Azerbaijani. This is somewhat understandable when looking at a broader cultural aspect. Azerbaijan, having been under Russian rule for the most part of the past 200 years, and like most other non-Russian, former Soviet republics, has a very Russified elite. During Soviet times, all throughout the USSR the key to career success was having perfect knowledge of Russian. Despite the varying efforts by the Soviet authorities to encourage local languages, speaking Russian was seen as a sign of culture and education, and this attitude has somewhat remained to this day in many former Soviet republics. Meanwhile, despite the efforts by the newly-independent governments to promote the local national language, the old Soviet-era popular attitude that only poor and uneducated peasants spoke that language also persists to a degree. Even though it is a joint official language in Kazakhstan, Kyrgyzstan and Belarus only, the Soviet-era official notion of Russian as 'the language of inter-ethnic communication' still remains in practice in other ex-Soviet republics. The onslaught and ongoing popularity of slick Russian pop and media culture all throughout the ex-USSR (the Sovietsphere) also ensures that the Russian language is maintained by the general population and even picked up by children who weren't even born when the USSR collapsed. This scenario of Russian as the language of the educated, cultured elite and of inter-ethnic and external communication, while the local language is that of a lower class is reminiscent of the role English has in India and Pakistan or French in Morocco, Algeria and Tunisia. So with this in mind, the fact that the gay.az website is in Russian would indicate that they are targeting educated, urban-dwelling LGBT Azerbaijanis. This could be a disadvantage for a young gay Azeri person living in a very traditional rural area where Russian is not so prevalent. It is these rural Azeri gay people who most desperately need the communication. I hope that this is something that will soon be rectified by the gay.az coordinators as they develop their site. One particular bonus, though, is that by using Russian will facilitate communication by Azeri LGBT people with LGBT communities in other ex-Soviet, Russian-speaking countries, with which they share many modern cultural bonds... and restraints. A gay person in Baku will be better understood communicating in Russian to a gay person in Moscow, Kiev or Tashkent or even a Russian-speaker in the West than with anyone else.

Belgrade Pride last year. Will it be Baku Pride next year?

While there are some suspicions regarding the Azerbaijani authorities' rationale and intentions for breaking previous practice and making light of these developments, it does appear that the LGBT community in Azerbaijan is seeing the opportunity that lies ahead of them to make a difference to their lives, their society and country. I also hope that the Azeri authorities are sincere in their moves to grant greater freedom and access to LGBT Azerbaijanis and that this is not the cynical attempt to mislead and portray their country for something it isn't, all for the interests of national image or to avert negative press. We have seen similar bold moves made by some governments before, especially Eastern European countries in the pre-EU accession process when they were under extreme scrutiny for their treatment of human rights, and in particular LGBT rights. Many of these countries did what they thought would please the EU before accession and passed appropriate anti-discrimination legislation and/or allowed gay pride parades. However, once they were in the elite European club and the focus was off them, not only did some countries not put all aspects of anti-discrimination legislation into practice, many went back to their old homophobic ways and even banned gay pride parades (Latvia and Poland... I mean you). I sincerely hope that these first steps in Azerbaijan will lead to long-term fruition. LGBT rights are not just for 'Gay Christmas' i.e. Eurovision, they're for life.

20 May 2011

Desperate Central Asian Housewives - Episode 3 - Mehriban is the big Eurovision 2012 supremista

Mehriban Aliyeva (smiling, right) - airing ideas with friend about going low profile next year
being the beautiful female Eurovision hostess with her hubby, the prez, being the ugly male Eurovision host with the crooked teeth

Well I never! Isn't it funny how things diverge like they do. Last episode, Azerbaijan's first lady and glamour queen, the ever-smiling Mehriban Aliyeva was accused of having it off with Belarusian comb-over specialist, President Aleksandr Lukashenko. Since then, the Italian paper that made the accusation published a grovelling apology to the Aliyevs and Azerbaijan. That's a big 'phew' because Azerbaijan was threatening to pull the plug on Italy from future lucrative (but stalled) gas pipeline plans such as Nabucco. Imagine how much gas companies and the transit fees the Italian government would have lost had Italy been excluded. Well, that's settled then. Moving on...

Aliyevy Azerbaijan has since been thrown into the limelight ever since winning the Eurovision Song Contest last week. The country's leaders are in a tizz and already organisation of next year's extravaganza is in full swing. Just now, the list of members for the organising committee have been announced, and low and behold, how nice and what a surprise (well, not really) that our ever-smiling desperate Central Asian housewife, Mehriban Aliyeva, will be chairing the committee. How does she juggle all the work she does - heading the 'Heydar Aliyev Foundation', being a UNESCO goodwill ambassador, appearing in video clips about 'peace', caring a lot, being a member of parliament, photo shoots with her sisters, oops, I mean her daughters for Russian Vogue, and all that shopping for the fancy frocks she wears. Amazing, really, and all with the same expression on her face.

La Aliyeva (left) always displays unbridled joy when meeting foreign guests

A big question is being asked as to where the Eurovision song jamboree will be held as the largest venue at present in Baku holds about 7500 people. Considering the Esprit Arena in Düsseldorf held about 36,000, Azerbaijan will need something bigger than what they have. Already the Azeri authorities have indicated that they will build a new venue in time for the fanboys to cheer on the 3-minute songs. Now that La Aliyeva is head of the committee, who do you think they'll get to build such a place? Well, perhaps a company with plenty of experience in this area - Pasha Construction. This company has been responsible for the construction of many wanky, ego-stroking projects in and around Baku, such as shopping malls, business centres, 5-star hotels, luxury apartments and even a beach resort for the Marriott group. You know, these are the types of places an overwhelming majority of Azeris have no hope in hell in enjoying. Check out their website for more details and some lovely pics of these architectural delights (or blights). Now, isn't it a coincidence that Pasha Construction, part of the Pasha Holding Group, is controlled by the Pashayev family i.e. Mehriban Aliyeva née Pashayeva's family... Of course, La Aliyeva née Pashayeva is only doing this because she selflessly cares. Nothing official has been announced yet, but don't be surprised... just wear the same expression La Aliyeva wears.

However, the US State Department, in a cable published by WikiLeaks, would have other ideas as to the true objectives of La Aliyeva and her family, judging by this cable. Check out the details about the Pashayev's plan of spending huge money on museums in an effort to attract a Guggenheim to Baku (hey, it worked for Abu Dhabi - hardly the pin-up for freedom and democracy), and of Baku's new Museum of Modern Art featuring Mehriban's private collection. The museum was designed by Altay Sadikhzade, a local artist/designer married to Nargiz Pashayeva - Mehriban's sister. No expense was spared in the construction of the museum, which highlights Soviet-era Azerbaijani artists, including Altay (whose portraits of Mehriban, Nargiz and Arif Pashayev - daddy to Mehriban and Nargiz and head of Azerbaijan's National Aviation Academy, are at the centre of the galleries). Must add too that Mehriban's uncle Hafiz was Azeri ambassador to the US for 13 years and is now the deputy foreign minister. So the Pashayevs are pretty high up... much like the case in other places where the desperate dictator housewives rule (or used to rule... hey Leila Ben Ali and Suzanne Mubarak).

It might be a stab in the dark here but it won't be Azerbaijan and its hard-working and proud people but the ruling Pashayev and Aliyev families who will be benefiting most from Eurovision next year. Am I wrong?

16 May 2011

Eurovision 2012 in Baku, Azerbaijan... what could go wrong?

Azerbaijan's first lady, Mehriban, prez Ilham and the family (behind) have gone all Eurovision with the sequins to welcome you to THEIR country
As you are most likely very well aware by now, Azerbaijan is the winner of this year's Eurovision Song Contest held last Saturday night. Of course, one of the 'prizes' is getting to host the competition the following year, which for a country desperate for (good) publicity such as Azerbaijan is the perfect event to be the centre of attention in Europe and worldwide with a huge TV audience of 125 million. Hosts in the past have successfully showcased their country as a tourist destination and a place of culture. This 3-hour ad has been the driving force for countries like Azerbaijan to invest heavily in their Eurovision entries in recent years, and for the authorities in Baku, they finally got their return. But are they really aware of what they are about to face?

Only a matter of hours after Azerbaijan won the contest, I was interviewed by the BBC World Service to discuss what implications Baku hosting the Eurovision will have. Unfortunately, due to nature of the questions posed to me and time constraints, I did not end up getting a chance to tackle the meatier and more divisive issues that I will go into detail later in this post. Actually, I was shocked that the world news journalist who interviewed asked me the rather naive, highly uninformed and somewhat colonialist question of whether Azerbaijan can actually afford to the host the event? I mean... honestly! Scarily enough, this question is not an isolated case. Many people in the West have a rather stereotypical view of any country past Vienna being some sort of cesspool of poverty that only survive because us Westerners give them money. OK, so some countries would find it hard to afford to host the Eurovision (as was almost case with Estonia in 2001, Latvia in 2002 and Ukraine 2005), however Azerbaijan is not one of them. And it's not automatic that the poorer nations would have difficulty paying to host the contest anyway - Serbia did a fine job in 2008 and not once did it plead to the EBU for cash. Azerbaijan's case, though, is that like Russia - it is flushed with oil money. Azerbaijan is a large oil producer and is also an important (i.e. the only non-Russian and non-Iranian) transit link for plentiful oil and gas supplies from Central Asia. The country is rich, but as is often the case in many resource-rich nations, this does not necessarily mean that this wealth trickles down to the masses. Most Azerbaijanis live at or below the poverty line and can only dream of experiencing the glitz and glamour that the now ruling (former Communist Party member-careerist) elite live.
Is the Azerbaijani capital ready for a gay old time?

Money is no problem for Azerbaijan hosting Eurovision. So what could go wrong then? Well, Azerbaijan really has no idea about Eurovision Song Contests and its core fan base. The Eurovision Song Contest in most Eastern European countries is considerably mainstream and has none of the associations it has in many Western European countries. In particular, most Eastern Europeans are completely unaware how much the contest has a huge and loyal gay fan base. So can you imagine the surprise Azerbaijan will face when they realise that the overwhelming number of Eurovision fans who will be turning up to Baku for the 2 weeks of Eurovision preparations, rehearsals and shows are not a whole bunch of men who have left their wives behind but gay men with their partners? They really don't know. Azerbaijan, like many Eastern European countries, is rather traditional and parochial, with a strong macho culture that has been fuelled by recent military conflict, officially-sanctioned nationalist tension and a re-emergence of traditional Islamic religious practice. Needless to say, Azerbaijan is not the place to be if you are proud and gay. This is a place where hotels will change bookings for gay couples for a room with one king-sized bed to two singles. The issue of gay rights, especially considering the Eurovision's large gay following, has been in the forefront at Eurovisions ever since Moscow held the event in 2009. Nikolai Alekseev, Russia's most prominent gay activist, with the help of counterparts from Western Europe, organised a gay pride parade to coincide with the Eurovision in Moscow. Unfortunately, the parade was violently dispersed, resulting in the arrest of its participants and rather unwelcoming images of Russia being shown around the world. Now, will the same happen in Azerbaijan next year?

Of course, this all depends on whether the fans can actually make it to Azerbaijan. As a majority of the foreigners who travel to Azerbaijan are usually involved with the oil industry, the few flights to Baku are extremely expensive. This is no different for other oil boom cities around the world (such as Astana in Kazakhstan, Luanda in Angola or Lagos in Nigeria). Likewise, the hotel and foreign expat infrastructure in Baku caters mainly for the oil industry, which means plenty of overpriced 5-star hotels, very little in the way of cheap accommodation, and expensive restaurants and bars (like 'Irish Pubs'). The foreigners Baku's taxi drivers and hospitality staff are used to are cashed-up oil workers on company expense accounts who don't care about being charged many times more than the local rate, and not Eurovision fanboys on meager wages (but try convincing them that when the Azeris still are paid far less). Essentially, the fans will be facing the same financial scenario as with Moscow 2009.

What will the Azeri grannies have to say about the fanboys?

OK, so what if the Eurovision fanboys have saved the money and made it to Baku and are not going to make a big thing about the gay issue. What else could they face? Well, Azerbaijan's political situation could get in the way. Like many ex-Soviet republics, Azerbaijan is still going through a period of democratisation, which means that the authorities are still not confident enough yet to be able to ignore the people who advocate change (as is the case in the West). Following independence from the USSR in 1991, Azerbaijan was ruled by former KGB boss Heydar Aliyev, who from his base in the exclave of Naxçivan was able to consolidate power by keeping much of the existing Soviet-era structure intact. He placed close family members in positions of power, with his son Ilham heading SOCAR, the powerful, government-owned oil company central to the country's economy. A cult of personality, which basically filled the void left after Lenin was dropped at independence, grew around the 'benevolent father of the nation'. The Eurovision fans will arrive at Baku's 'Heydar Aliyev Airport', for instance. It is no coincidence that at the press conference following their Eurovision win, Eldar and Nigar first of all thanked their benevolent president and head of the 'Heydar Aliyev Fund' - the president's wife, for their win! (Can you imagine if they didn't!?) So when Heydar died in 2003, his son llham unsurprisingly took over the presidency in elections that were deemed to be 'not fair' by foreign observers. The Aliyevs have been subject to various gossipy US cables published by Wikileaks. To get a taste of the level of gangsterism and corruption ruling Azerbaijan, have a read of this link about the scandalous dealings of some of Azerbaijan's well-connected families. Even more scandalous has been the behaviour and consequent US State Department gossip about Azerbaijan's first lady, the ever-smiling Mehriban Aliyeva. There's talk of her plastic surgery, her 'charity' work and provocative fashions - check it out here! She was also rumoured of having an affair with Belarusan president Lukashenko! Perhaps she can sing 'I Love Belarus'.

President Aliyev: We're gonna put the wind machine here

The Aliyevs have held a tight reign over Azerbaijan, with the small but fragmented opposition facing arrests and bureaucratic hassles. With the tacit support of the West, the Aliyevs have been able to get away without getting major negative press in the West. So long as the oil rushes through, everyone's happy. However, the Azeri authorities have been uneasy viewing the swift outcomes from recent popular revolutions against similarly-ruled autocracies such as their former close friend Egypt (Mehriban Aliyeva and Egypt's first lady Suzanne Mubarak even appeared in a naff video clip in a pop song about peace - check it out here, if you're brave). The similarities between Egypt and Azerbaijan have alerted the Aliyevs into action to prevent the same fate that has become of the Mubaraks. This means that bloggers have been arrested, tried and sentenced to jail sentences, and access to blog portals severely restricted. The social network tools that helped mobilised protesters in Tunisia and Egypt - Facebook and Twitter - have also been restricted in Azerbaijan, and there are also threats of Skype being curtailed too. This leaves to question - how will the media, especially the huge number of Eurovision bloggers who constantly update with details of rehearsals during the contest's two weeks of preparations be able to do their work? How will the Azeri authorities balance allowing the foreigners to have unrestricted access to essential Internet tools like Twitter or Blogger, while still keeping the lid on the local access? Any restriction placed on the media will be quickly reported to the rest of Europe, painting the negative picture of Azerbaijan that the authorities desperately want to avoid and had not wanted by hosting the event. The huge influx of journalists will also be a great opportunity for opposition politicians and activists to gain some much needed publicity. It will be interesting how the Azeri authorities will deal with this.

In jail - for blogging in Azerbaijan

There is another aspect that will come to the forefront - the ongoing and blood-thirsty animosity between Azerbaijan and its eastern neighbour Armenia over the region of Nagornyy Karabakh. The two countries went to war with each other in 1988 when they were still constituent Soviet republics over the then 'autonomous oblast', an Armenian-majority populated region wholly within Azerbaijan. Karabakh's Armenian population, with support from Armenia, wanted to separate from Azerbaijan and join Armenia. Azerbaijan did not want to see this happen as the region had a significant Azeri population and would have meant losing territory. However, the underlying tensions stems from the time when Armenians claim that the Ottoman Turks waged genocide on them during World War I. Of course, the Armenian interpretation of who is a Turk is quite broad, so they see the Turkic-speaking, Shiite Muslim, Persian-influenced Azeris (who were never part of the Ottoman Empire) no different from the Sunni Muslim Turks of the modern Republic of Turkey. This is despite the fact that a 'Turk' in the Ottoman Empire was anyone who was Muslim, regardless whether they spoke Turkish or not, and that the Republic of Turkey is not (politically) the successor state of the Ottoman Empire. The Armenian fear that another 'genocide' will occur (they point to Armenian pogroms in the Azerbaijani city of Sumqayit in 1988 as proof) has given themselves the justification to not only declare independence for Karabakh as a separate Armenian state (recognised by no-one except other unrecognised statelets within the ex-USSR) but also to occupy a large swathe of Azerbaijani territory between Armenia and Karabakh. By the time a fragile ceasefire was negotiated in 1992, 1 million Azeris had been ethnically cleansed from those parts of Azerbaijan occupied by Armenian forces.

Despite the ceasefire and the ongoing status-quo, there is no love lost between Azerbaijan and Armenia. In fact, the level of animosity and hatred between the two neighbours is to such an extent that there is still sporadic gunfire on the front line resulting in a constant number of casualties each year. Like in most conflicts, there is still a lot of bravado and macho chest-beating officially encouraged by the authorities in both countries with constant nationalistic calls to recapture lost lands and avenge for lost honour and pride. On a human level, the welfare of Azerbaijan's 1 million internally displaced persons is of great concern. After almost 20 years of being forced from their homes, many still are housed in primitive conditions with little access to social services, basic amenities or having much chance of enjoying the country's new-found oil wealth. Hopefully their plight will grab some attention come time for next year's Eurovision. However, I feel that they will only be used in much the same way they have been by the Azerbaijani authorities in using their suffering in prolonging the hatred towards the Armenians for causing this human catastrophe. This nationalist hatred is used by both sides to control their peoples and as a smokescreen to the true (and much shared) ills of Azerbaijani and Armenian modern society (corruption, croneyism, lack of opportunities etc.)

Of course, with this in mind, Armenia is livid that their nemesis Azerbaijan has won the Eurovision. Armenia too has been wanting desperately to win the competition, much for the same reasons as Azerbaijan - to draw attention to their side of the conflict and to piss off their perceived enemies. Well, Azerbaijan now will draw attention to their side of the conflict and piss off their perceived enemies. I expect that much will be said of 'Armenian aggression' and of Karabakh at the Eurovision, especially in the postcards. Watch out for them! You won't miss them.

Armenian soldier on the Karabakh frontline

With this level of hate, it's more than likely that Armenia will withdraw from next year's contest. The only way I can see Armenia being motivated on going to Baku would be with the firm belief that they are going to win it, because nothing else would be sweeter for them to see the Armenians winning on Azeri turf in front of an Azeri crowd. There's nothing like spite. We'll wait and see what happens.

There is also one other aspect that will factor when it comes to staging the contest next year - Azerbaijan's time zone. Eurovision rules state that the semi-finals and final have to start at 21:00 Central European Time. Azerbaijan is three hours ahead, which means that the concerts will be starting at midnight local time! Considering the final goes on for over three hours, people won't be getting out of the venue until around 4am! Imagine having to travel at that time. The taxi drivers will be rubbing their hands.

Despite all of the negative aspects of Azerbaijan hosting Eurovision, and the moral question about supporting a regime that restricts gay rights and the freedom of speech and expression, I believe that this is the type of event that Azerbaijan needs. While the Azeri authorities will be wanting to present to Europe its image of itself, the fact that a large number of foreigners, especially gay people, converging on Baku and getting a chance to meet Azeris and discovering this fascinating country will do wonders. Azeris and people from the rest of Europe making contacts will only strengthen understanding between peoples, break down stereotypes and open people to different points of view. Furthermore, Azerbaijan has so much to show the world. It is not the cultural backwater that Cold War and colonial perceptions would lead us to believe. For instance, Baku was the 5th largest city in the USSR, extremely cosmopolitan, and most of all, was the Soviet Union's foremost centre for jazz. This mixture of Turkic, Persian, Russian and indigenous Caucasian influences makes the country a crossroads with a multifaceted culture. It would be fabulous if world-famous Azerbaijani musicians such as jazz singer Aziza Mustafazade, traditional muqam performer Alim Qasimov or traditional musician Alihan Samedov can do the interval... though I fear that Ilham Aliyev's son-in-law, the dismal Emin will end up having a big role. Emin lavishly launched his English-language pop career in London earlier this year, complete with expensive promotions and a blitz ad campaign with his face on posters around the London Underground. Needless to say, it has amounted to not much.

World-famous Azerbaijani jazz singer, Aziza Mustafazade

Good luck Azerbaijan! I hope that the next 12 months preparing for the Eurovision will contribute to the transformation of the country into one that its citizens would be worthy of being proud of even more.

15 May 2011

Eurovision 2011 - The Aftermath

The dust is beginning to settle on yet another Eurovision, with the contest heading off the furthest east it has ever gone to the Asian edge of Europe in Baku, Azerbaijan, scheduled for 26 May 2012. Before going into the geopolitical, social and logistical ramifications of this win and the 'logistics', let's review how the songs of this contest won or lost.

Finland - Boring presentation, really.
Bosnia-Herzegovina - Dino Merlin can thank his superstar status among the Balkan peoples for his 6th place, and the fact that the large number of Bosnian refugees live in countries whose own entries (plus those of countries of larger and/or better organised diasporas) had not made it through to the final i.e. 12 points from Norway.
Denmark - Professionally performed song which did well to get fourth place. Had it been later on in the draw, it could have won.
Lithuania - Dated song, not the best presentation, though well sung and I could immediately see this would appeal to Eastern European tastes, which it did. Did well to not come last as predicted.
Hungary - She was out of beat of this dated dance number. Dress was horrible. Like Iceland 2010, one for the gay fanbase only.
Ireland - Excellent visual presentation, definitely one for the kids. However, it was obvious that the twins hardly sang the song and relied heavily on the 'back-up' singers to carry it through.
Sweden - Convincing performance of a contemporary song that deserved its third place.
Estonia - She couldn't sing and looked like she gave up towards the end - hence the low score.
Greece - I can't believe this came seventh place!!! The UK bucked its trend of giving high points in recent years to Greece by giving nothing for this poor song. Graham Norton pointed out that the rapper, Stereo Mike is a professor of music at the University of Westminster and that come Monday Norton thought he could be out of a job - apt! I suspect that the 8 points from Russia was the result of an Armenian push to stop Azerbaijan, which could be the story for other points around Europe.
Russia - The Sovietsphere audience did not go for this, possibly tired of the former Alex Sparrow's cockiness and overexposure, which meant it died. Alex must be gutted. The song was presented very professionally though, but there's a limit to ego.
France's Amaury Vassili - someone needs some conditioner in that mop, and a new suit

France - The favourite?? I had not seen a live performance by Amaury Vassili before Saturday night's show and relied solely on what turned out to be the hype created by Eurovision fans who obviously are unfamiliar to opera. I can't say that I am a regular listener of opera but I have been exposed enough to it to see and hear immediately on Saturday night that Amaury was obviously uncomfortable on stage, not used to singing in such an environment and is too young to sing such a song (as an opera singer friend of mine said, 19 is too young). Honestly, his singing was terrible and he looked like a dishevelled extra from Les Miserables. My previous commentary that the push for this aria was more a delusional case of some Eurovision fans to prove to themselves that they have culture has been vindicated.
Italy - The best surprise of the night! The fans had left this for dead leading up to the finale. Obviously as much as they can't spot bad opera, they can't spot good jazz. Raphael clearly is a professional live musician and singer who is so comfortable with performing and enjoys what he does that it shone. The fact that this jazz number had unexpected but neatly-woven Neapolitan elements also made it more than just another jazz song. A thoroughly deserving song. And to think so many fanboys are at a loss as to why this song did so well - yet another sign of their actual lack of exposure to a wider range of music styles.
Switzerland - The reason why it's unlucky to perform after the ad break is that the break is so short for today's standards, with many people having yet returned from the loo. So many people missed this one. The ones who didn't had to face a girl wearing a red sparkly dress that didn't match the song, rendering the presentation as unconvincing.
UK - Backdrop was fantastic and the song was great. The suits that Blue were wearing just didn't go with the song (see Sweden for more convincing costuming) and Lee, who had to sing a large part of the song, obviously couldn't get those many high notes - he looked like he was in strain. 11th place is still good but this goes to show that Blue is not that big in Europe. Plus, the prevailing attitude that 'if Blue can't win it, who can' has only solidified Eurovision's career graveyard status for UK artists. This doesn't bode well.

UK's Blue should have stuck to wearing this!

Moldova - Definitely the fav song for the all the rock, non-Eurovision-fanboy viewers out there and deservingly so. I enjoyed it. Zdob si Zdub did what they do well and great to have some Moldovan elements. By the way, the hats they wore were an exaggerated, crazy adaptation on the woolly hats that Moldovan peasant men wear - cool!
Germany - Lena has transformed from teen to vamp. Great presentation though a bit too moody for the Eurovision audience. A song like this was not going to do well with Eurovision's rather pedestrian televoters. Still, very professional performance and song and only goes to show that Lena has a great career ahead of her. Just drop the fake accent!
Romania - Ugh! As what one blogger commented, this is something you would have seen on Seaside Special in 1978. Romania is a powerhouse for light dance numbers throughout the non-English speaking world and all they could dredge up was this...?
Austria - Yes, the girl can sing but the Disney ballad was trite.
Azerbaijan - The comment made by a casual Eurovision viewer friend of mine (i.e. not a fanboy) summed this song up - it's aaahhhhhhhh. The sweetness of the song and the simple yet appropriate stage presentation guaranteed that it would do well on the night, despite what some fanboys had to say about the singers' abilities (the same guys that were applauding France for his "opera", mind you). However, what is proving to be the most important factor these days for a win at Eurovision is that Azerbaijan's 'Running Scared' was one of the very few songs from this year's contest that has been getting airplay on mainstream radio stations in certain countries around Europe. Airplay was key to Lena's victory with 'Satellite' last year, and the lack of airplay for Blue's 'I Can' this year definitely contributed to their fall. The fact that this was one of the few songs that was immediate in its appeal also added to its winning factor. As for the Turkish diaspora helping this song win... that didn't happen. Germany gave few points, and the UK and Macedonia (for instance) gave none, despite being home to large Turkish communities.

Italy's Raphael Gualazzi - a pleasant surprise!

Slovenia - Maja Keuc was just too weak with what should be very strong vocals for such a song. Plus, the song itself was about 8 years old in style.
Iceland - Sentimentality can only stretch so far
Spain - Despite a last minute surge by fanboys as to its merits, it was too light to make an impact. Spain by numbers, really. Hey, if Spanish fanboys didn't like it, how is the rest of Europe supposed to?
Ukraine - Amazingly scooped up the Sovietsphere and Eastern Europe votes away from Russia. Obviously its position towards the end of the night and, most of all, the hypnotic allure of the sand art (the true star of that performance) helped this into fourth place. I did like it how the Guardian wrote on its live blog that it was expecting the sand artist to toss it all in and end up drawing a willy.
Serbia - It was cute and all but this song ended up only with high-ish points from ex-Yugoslav states and low scores from countries where the Serbian diaspora live.
Georgia - Graham Norton was almost correct in saying that if you like rock, then you'll vote for this one as there is no other rock song (not correct as Moldova was in there too). It was competent enough.

Winner of Ukraine's Got Talent and star of Ukraine's Eurovision performance - sand artist Kseniya Simonova

That's my analysis for this year. I would like to make a special thank you to all the Eurovision bloggers out there, especially Piglet, for their dedicated work in keeping Eurovision fans informed about the lead up to the world's most biggest television show.

Coming up... how will Azerbaijan cope with hosting Eurovision? Finances are not a problem but are they aware of what social impact it will have on the country and Europe as a whole? And how does the ongoing animosity with Armenia affect preparations? Stay tuned...

Azerbaijan wins Eurovision Song Contest 2011!!!

Needless to say, I am very, very, very happy!!! Well done to Eldar and Nigar for their excellent performance tonight, and very proud of Nigar for acknowledging Turkic solidarity by carrying the Turkish flag when going to the stage in Düsseldorf to collect their prize.

Also, a special congratulations to Raphael of Italy for coming an impressive (and unexpected) second place for his excellent, Italian-tinged jazz number. None of the Eurovision fanboys predicted this. Goes to show that there is room for jazz at the Eurovision.

I will be interviewed on the BBC World Service in a few hours from now, to give my perspective of the geopolitical and unexpected organisational ramifications of holding the Eurovision Song Contest next year in Azerbaijan. More on that later...

13 May 2011

Eurovision Song Contest 2011 - My predictions for the big night

Well, the two semi-finals for this year's Eurovision have passed us. What I can say is that I enjoyed it in lovely company and to the accompaniment of a lot of alcohol. However, the quality of this year's performances left a lot to be desired, resulting in an upsurge of alcohol consumption on my part to maintain the capacity to withstand the onslaught of horrible dresses, bad singing, stage props, petty nationalism and bad music. I found the first semi-final to be quite boring and was rather happy that there were some upsets in the voting. The second semi-final was delightfully entertaining, only for disappointment to set in and ruin the evening when a load of rather piss-weak and gimmicky acts made it to the final while true talent and entertainment was washed away. Oh well, what was I expecting??

Despite my cynicism, there are two songs that I will be supporting tomorrow night. The first is Blue from the UK.

My ultimate favourite is Azerbaijan


Most of the rest of tomorrow's nights offerings are as appealing to me as a cup of hot fat with a hair in it.

I have made my top 10 predictions though (definitely not my favs):

10. Ukraine - Just because of the sand artist. The singer Mika is just an annoying feature and should get out of the bloody way.
09. Georgia - Only because they're on last and the Georgian embassy staff have been handed the mobiles to go redial crazy (need to win that diplomatic war with Russia you know - they established relations with Tuvalu to stop their possible recognition of Abkhazia!). The lead singer had a 'krazzy' but dowdy frock on, but if she wants to be convincingly 'kool', she should ditch the late 80s 'nice girl' perm (that was cool on '21 Jump Street', not now) and go more punk or Lady Gaga. You're just not cutting it... erm... perhaps you should cut it.
08. Ireland - The Grimes twins have a fancy backdrop to distract the easily-hypnotised masses from their lack of musical talent (see Ukraine), plus it always helps to have the out-of-sight backup singers carry the song when you can't sing. The kids will love it, just like they did with those Latvian pirates a few years ago.
07. Sweden - The rather precious Eric Saade knows how to be all Justin Timberlake about it. I wonder if the Jerusalem Post have warned their right-wing Israeli leadership that he is part-Palestinian? He's had probs with his exploding box (don't we all!) but he has enough energy to dance it (if not sing it) through. Poor guy, though, has been bombarded with the type of gay speculation that Keanu Reeves used to face - if some gays fancy some good looking guy, then the object of this affection must obviously be gay too. Oh, the delusional.
06. Austria - Europeans love a good Disney-style ballad. This song reminds them of Mariah Carey who they hold up still as being the pinnacle of class and high music taste. Of course, when I think of Austria, I think of gospel-style singing. Must have been all of those dark foreigners that Austrians just adore who brought this music in.
05. Russia - The artist formerly known as Alex Sparrow loves his own shadow and is just sleazy to the max... perfect for the Eastern European audience! He's Russian, he's high profile in the Sovietsphere, he's gonna get votes, though he won't win. Only he is not convinced - too busy kissing his biceps. Just a tip for Alexei - less clothes, please!
04. Serbia - Well, because it's a 60s retro Motown rip-off, uptempo, familiar to the masses, colourful and a bit of a wake-up coming second to last in the running order after some slowish songs that double as cures for insomnia. Had this been in another position, I would have written it off. One for the Austin Powers fans out there or, as one Serbian turbofolk singer stated, lovers of jingles for washing detergent ads.
03. UK - Though much is said about how well-know Blue is throughout Europe, I have seen hardly anything written about them in the Eastern European press. That is the complete opposite to Israel's Dana International whose every move was being monitored, photographed and commented. Actually, just relying on these papers, other than the local rep, you would have thought that Dana International was the only singer at this year's kitschfest. Alas, the girl was robbed on Thursday night, despite owning the stage and the arena with her supermodel strut. OK, back to Blue - yes, well, they'll do well, but no gong for them. I can't see them getting enough high marks from Eastern and Southern European countries to make it past the line. Go ahead boys, prove me wrong!
02. Azerbaijan - Well, call me biased (because I love the song) but their performance on Tuesday night was stunning, simple and gave me goose bumps. It deserves to win. However, I can see some European voters being put off voting for a country they have never really heard of. Plus, with Armenia out of the pool, the Armenian brigade will be doing their best with their 100 mobiles each on redial voting for some other country all in the effort to make sure their nemesis does not win. Azerbaijan hosting the country will be used as a propaganda piece to showcase 'Azeri suffering from Armenian aggression' etc. So the Armenians have been told that they must vote for another three minute song sung in English in a music style originating from the US sung by young girl/young guy/group who have never been to the US so as to avenge for the death of their grandmother by those 'evil Turks'. While Turkish satellite TV stations have been bombarding their viewers throughout Europe urging them to vote for their 'Turkish brothers - Azerbaijan'. Ah, the lows of nationalism.
01. France - Why? Not only as a self-convincing and inherently pretentious ploy to fool everyone and themselves that the Eurovision (and therefore European) public has 'kulcha' (because it is, as one self-described 'opera fan' stated on a Eurovision forum, an 'operatic song' - obviously never heard of an 'aria' then), but because like last year's winner Germany, France is a creditor nation. Therefore, as a reward for being a bank for the rest of Europe, it's time for the vassal states to pay tribute to the great benefactor by giving it 10 and 12 points and the kudos of winning. Besides, it's one of the few countries that can afford the event, and Sarkozy is suffering in the polls and can do with a better distraction with the patriotic pump-up of a Eurovision win rather than being 'mister tough guy with the penis size issues' by bombing Libya.

Could this dweebish-looking guy with monobrow grab Europe by his crooked teeth with some op'ra?

Despite this, there are two countries that are the true winners of every Eurovision for the past decade or so - the USA and UK, and deservingly so. The showcase of dismal European pop culture that the Eurovision provides each year highlights how innovative, fun and resilient American (especially Afro-American) and urban UK music styles and culture are the pinnacle of cool worldwide. Eurovision acts merely are derivative versions of these. Even when they do mix a 'local' feel to things, there is still some American/British element to it, whether it be gospel or RnB intonations in the singing or using English. In this year's Eurovision final, the only countries that will not be singing (at least partially) in English and/or use a music style originating or influenced from the USA (especially Afro-American origin) or the UK are France (Italian opera) and Spain (Spanish/Latin American folk pop). So the USA and UK have won! Europe, your woeful pop culture is hardly getting the world to have fun...fun...fun...fun.

By the way, if you want to play a simple Eurovision drinking game but don't want to get too tiddly, how about this one: take a sip whenever you see a woman or an obviously straight man (if there is such a concept of looking 'obviously straight') in the Esprit Arena crowd. Guaranteed to keep you under the blood alcohol limit. Actually, better not, or else you'll end up having to put up with the noise and bad costumes (how come the bat-wing sleeve is back?)

OK, that's enough. For all you who enjoy Eurovision for other reasons, have a great night and may your country win (even though it will be France, unless that's your country). I'd like to be proven wrong this time...